Niall McDowell is making country queer in their new EP,  It Was An Honour To Be Nominated. It’s a heart-on-your-sleeve, Joni Mitchell-esque romance songbook. Listening to this EP right through in a single sitting felt like I found a new love, built a life with them and then lost them. It was a hard but worthy task.

“I have been working on these songs over the course of the past two years, and I’m very proud to finally have a small body of work that exemplifies my ever-changing style as an artist.” Continue Reading…

Photo: Stuart Bailie

Joshua Burnside was driving from Belfast to Donegal for a recording session when he got stuck in a jam on the Westlink. When the traffic moved on a bit, he saw the cause of the delay. Someone had jumped off a bridge on Clifton Street onto the road system below. Another grim statistic for Belfast. “That shook me,” he remembers. Continue Reading…

By now, you are all probably aware of the stall this (near complete) gargantuan anthology sets out. All five studio albums, a live record, and a plethora of B-sides, remixes, additional live cuts, and unreleased tracks, spread over 7 CDs. I’ve been here since the start, from the embryonic Fostex 4-track demos, that formed their debut album, right through to the triumphant comeback tour of 2009. So this is kind of like a labour of love, yet a challenge also, given the massive scope of the thing. But let’s see what happens. Continue Reading…

The confetti cannon fires up during ‘There’s a Star’. Father Christmas is on the stage, busting martial arts moves for ‘Kung Fu’. Ancient songs like ‘Petrol’ are set into the air with juvenile fizz. Hey, it’s the 30^th birthday party for Ash at the Ulster Hall and all smiles are justified.

Three school pals from Downpatrick are still playing the tunes. So many of these are deep in the collective memory and more than a score of them are bona fide chart moments. Tim Wheeler keeps fetching them out like a stage magician, sustaining the wonder. The audience has aged in the interim and the band members are slightly smudged by time, but essentially, this is joyous, kids’ stuff.

Ash played an Xmas show at the Ulster Hall in 1995, supporting Therapy? They were awkward and in awe of the scale of the night, but the potential was sure. Tonight, Tim’s voice is stronger and he wears the authority of a well travelled player. Rick plays a drum solo. Mark bashes at his Gibson Explorer, three strings intact and he does the angular moves that must worry his medical insurers.

How beautiful is ‘A Life Less Ordinary’? And how does ‘Angel Interceptor’ maintain that lovely flight path? We might also make the case for recent Ash. ‘Darkest Hour’ of the Night’ is a talisman for hard times, sincerely done. Naturally, there’s a special value on ‘Shining Light’ and the mention of Royal David’s City. It’s a rock and roll nativity play, the presentation of gifts.

Nathan from Snow Patrol is onstage for ‘Orpheus’. There’s a throwback to junior Ash when they bring on the big boys from school, Barry Peak and Boyd Lowe from Backwater and they play the latter’s ‘Silver Surfer’. There’s another brilliant payback to Downpatrick when Ash afford the support slot to Charlie Hanlon, just turned 18 and already astute. ‘I Lost Myself’ grows from a hesitant busk into a big anthem, akin to Mic Christopher’s ‘Heyday’.

Damian O’Neill from the Undertones is ready for the encore and the amusing petulance of ‘Buzzkill’. We’re set for ‘Teenage Kicks’ but there’s bonus surprise as James Nesbitt takes the mic and shakes the hips. He’s making a punk rock dream come true and we’re not going to deny Jimmy the massive fun. Likewise, for ourselves. One of the best we ever had.

Stuart Bailie

Ash, Ulster Hall, 16.12.22

Chris W Ryan is wearing a baby pink jacket and sunglasses. He is every inch the charismatic conductor of the softly-spoken storm around him. Chris is Robocobra’s spokesperson, drummer and principal songwriter. Thibo and Tom play saxophone (soprano and tenor respectively). If Robocobra Quartet were a title-chasing football team, these two would play on the wings, providing crosses for their drummer to score. Their insight is polite, considered and often hilarious. Continue Reading…

Hannah McPhillimy’s musical debut was accidental. “I started playing when I was doing my music degree. The first time my music got out there, somebody had recorded something, and then just put it online without my permission, which I don’t think is totally ethical! So, I hadn’t put a lot of thought into branding, or how I wanted to present myself as an artist.” However, the unconventional launch of her career didn’t hold back the north coast musician. Within a few short years, McPhillimy had released her first EP and sold out a string of shows across Ireland, sharing stages with SOAK, Foy Vance and The Gloaming. Continue Reading…

Rory Nellis on getting the public vote for Album of the Year at the NI Music Prize for Written & Underlined

“I must admit that it completely blew my mind, so thank you to everyone who took the time to vote. I can assure you that this is a very big deal for me and it’s much appreciated.

I worked so hard to get the album finished in some quite challenging circumstances; meeting the producer Phil d’Alton in car parks to make plans and recording with the band at a safe distance in Half Bap Studios in Belfast. I’ll remember that stuff fondly though. It’ll be the only time I’ll ever get to record like that, I hope. Continue Reading…

At the heart of the Northern Ireland Music Prize is community. A community that doesn’t get a chance to take a step back and enjoy all the love and dedication put into the music created. A community that is supportive and gracious, bands that pick up awards are cheered and congratulated. There’s a sense of pride that swells and travels across the room, it’s lovely as an organiser to see that. One of my favourite descriptions of the awards was from Paul Connolly of The Wood Burning Savages who said it was like a big staff night out for musicians. Continue Reading…

If you were exiled and homesick in the Eighties – part of that wash of Irish émigrés from a damaged island – then you may have taken recourse in a Paul Brady album, Hard Station. Alongside Van Morrison’s Astral Weeks, it was a point of focus and a reassurance. We brought the record out when the drink was in and the self-possession was due for a crash. Continue Reading…

The first thing I noticed was Death, standing there nine feet tall, moving silently, scythe in one hand and bony fingers pointing out on the other.

Death wants to know just who caused the arson attack on Cathedral Buildings, formerly home to a row of small, independent businesses on the ground floor and a hive of studios, also formerly home to many incredible creatives across a range of disciplines. Illustrators, violin makers, graphic designers, textile artists, writers, photographers and so much more. Continue Reading…