In 1992 Brian Eno delivered a lecture called Perfume, Defence and David Bowie’s Wedding. The last part of the talk was about his David and Iman declaring their love, in Florence. This moment also fetched an exclusive media deal for Hello magazine. Eno presented the celebrity manoeuvres of the day in a diagram form. He saw it as a ritualised, kabuki theatre – public and yet strangely private. It was transactional, but little was delivered.
The binary system of politics in the north of Ireland is dying. We’re now witnessing the last thrash of the old dragon’s tail. Horrible, but going be over soon, if you want it. Agitate, educate, organise. Vote the monsters out. #AlternativeUlster
“I wanna make loads of money,” howls Rory Nellis with a handful of gravel, a hint of age, “to justify all this time.”
His opening outburst on this new record exists alongside the type of sustained feedback / acoustic strums combo which made multi-millionaires of the Followills. Just 20 seconds in and Written & Underlined sounds very bold indeed.
This is the season of the Vigilante Cannibal Nun. Her name is Maggie Murtagh and she’s made an online visitation from the Irish famine, feasting on the raw innards of clergy, nobility and English soldiers. She wears hip-hop bling and commits heretical acts. She channels trauma and terror and often, she’s as funny as all get-out.
In her novels to date, the Belfast writer Jan Carson has always explored overarching themes of trauma and guilt in inventive and witty ways, often through the voices of children. In her debut novel Malcolm Orange Disappears, her 11-year-old protagonist begins to literally vanish because of the stress of his difficult family life. In her critically acclaimed second novel The Fire Starters, which won the EU Prize for Literature, two very different fathers in Belfast wrestle with concerns for their children against a backdrop of fire and the threat of violence.
In my time as Online Writer-In-Residence for the Irish Writers Centre I attended an open mic poetry night in Dublin. Slots for reading filled up well before the night itself and the room was packed. Queer poets read alongside straight and cisgender poets and I found myself alarmingly surprised at the ease of it, wondering why I had never, not once, as a straight cisgender person, been to a mainstream poetry evening in the North which featured poetry about queer lives, queer love, queer sex.
Brian Smyth is a Green Party Councillor for the Lisnasharragh area in Belfast. In a previous existence, he fronted the band Dirty Stevie, releasing an album, A Beginner’s Guide To Levitation, in 2010. With this in mind, Dig With It put in a request for playlist and Brian obliged with his personal soundtrack.
‘Holy Show’ is the first affirmative moment of the night and it’s the best. Pillow Queens putting a voice to difficult times, watching the replays and then walking out of the ruins.
We project our own feelings into songs of course and ‘Holy Show’ may have other readings. But for some of us, it became a soundtrack to lockdown and all of the self-examination we put on ourselves. It was about fading horizons and bad decisions but importantly, it also sang of escape and a life outside. ‘Holy Show’ was like ‘Born To Run’ or ‘Land’ or ‘Running Scared’. Every time you listened back, you could hear the glimmer of deliverance. Continue Reading…
In Issue 6 of Dig With It magazine, we profiled the shortlisted albums for the NI Music Prize. The list arrived shortly before the press deadline and with a further, dramatic stroke, the two additional public choices for album of the year came in at the very last moment.
You can order up the for Music Prize special in the magazine here. But here is the gist of it – a wonderful array of records, Nordy singularity, ambition and style.
Thanks to the Dig With It contributors whose reviews and interviews we quote from. Geat work, all.
“So many people have Mike Edgar to thank for a life in music. He has been a true champion, mentor, driving force and friend to the musicians of NI. His enthusiasm has never waned and we are so delighted to make him our Outstanding Contribution to Music recipient for 2021.”
Charlotte Dryden, CEO, Oh Yeah Music Centre
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